Vermeer, Young Woman with a Water Pitcher - YouTube.
In Young Woman with a Water Pitcher Vermeer uses the black like an undertone to the blue to create shadow and depth, and in doing so he also depicts movement and texture. Vermeer uses the ultramarine for reflective surfaces such as the window and even the glass shadows are cast in blue to reflect the intricate play of light on its smooth surface.
Metropolitan Museum of Arts: Johannes Vermeer Dutch, Essay.
Young Woman with a Water Pitcher ca. 1662 Johannes Vermeer Dutch Standing at an open window, a woman begins her day with ablutions from a gilt-silver pitcher and basin, with linen coverings protecting her dress and hair.
Study of a Young Woman - Wikipedia.
Gerrit Dou, A Woman Playing a Clavichord Johannes Vermeer The Glass of Wine Young Woman with a Water Pitcher Woman Holding a Balance Girl with a Pearl Earring The Art of Painting Saenredam, Interior of Saint Bavo, Haarlem Jan Steen, Feast of St. Nicholas Jacob van Ruisdael, View of Haarlem with Bleaching Grounds Rachel Ruysch Fruit and Insects.
Young Woman with a Water Pitcher: A. - Essential Vermeer.
Young Woman with a Water Pitcher is an idealistic painting of a woman in an ideal home with an ideal life. The basin and water pitcher are recognized as traditional symbols of purity. The objects in this image prove that the woman is from a wealthy upper or middle-class family.
Young Woman with a Water Jug was painted with cooler.
Young Woman with a Water Pitcher (1662) History of the Painting The Metropolitan Museum of Art (MMA) notes that this was the first Vermeer painting to enter an American public collection, and is one of a small group of canvases dating from about 1662 -- 65 in which isolated women appear as mistresses of their private domains.
Young Woman with a Water Pitcher by Johannes Vermeer.
Study of a Young Woman (also known as Portrait of a Young Woman, or Girl with a Veil) is a painting by the Dutch artist Johannes Vermeer, completed between 1665 and 1667, and now in the Metropolitan Museum of Art, New York. The painting was painted around the same time as the better-known Girl with a Pearl Earring, and has a near-identical size.
Understanding Woman with a Water Pitcher by Johannes Vermeer.
As in the Young Woman with a Water Pitcher (89.15.21), of about 1662, Vermeer restricted his palette mainly to the primary colors of red, blue, and yellow, and he favored geometric shapes (in The Milkmaid, the right triangle formed by the figure and the table are balanced within the rectangle of the picture field).
Johannes Vermeer - 39 artworks - painting.
Technical analysis reveals that the background wall map of the Young Woman with a Water Pitcher originally extended to the left behind the woman. In addition, the back of a chair set on an angle was placed in the left foreground and partly overlapped the window.
The Lacemaker, Jan Vermeer: Interpretation, Analysis.
Vermeer, Young Woman with a Water Pitcher. Dr. Beth Harris and Dr. Steven Zucker provide a description, historical perspective, and analysis of Vermeer’s Young Woman with a Water Pitcher. Johannes Vermeer, Young Woman with a Water Pitcher, c. 1662, oil on canvas, (Metropolitan Museum of Art). External Link. View this painting up close in the Google Art Project. Licenses and Attributions.
A discussion of Young Woman with a Water Pitcher by Vermeer.
Young Woman with a Water Jug 1665 Jan Vermeer. His color is always true to the optical facts. Young Woman with a Water Jug 1665 Jan Vermeer. Even in interiors, this artist succeeds in representing the figures and atmosphere in a luminous lighting. The Lace Maker 1665 Jan Vermeer. Theme of love letters was not uncommon in the 17th century. The Love Letter 1666 Jan Vermeer. Flute is filled with.
Favourite paintings 13: Johannes Vermeer, The Milkmaid, c.
Young Woman with a Water Pitcher Young Woman with a Water Pitcher is a Baroque Oil on Canvas Painting created by Johannes Vermeer in 1662. It lives at the Metropolitan Museum of Art in New York. The image is available via Institutional Open Content, and tagged Windows and Women.
At the Met, Famed 17th-Century Work Anchors Modest Show.
In Young Woman with a Water Pitcher (ca. 1662-1665), Vermeer demonstrated his mastery of light and texture. In the quiet scene, Vermeer expressed the beauty and harmony found in everyday objects and activities. By the 1660s, Vermeer was an established artist, and he was selected to serve as one of the heads of the Saint Luke’s Guild in 1662-1663. During his career, the artist showed interest.